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Paris, 1964. The Swiss sculptor and painter Alberto Giacometti, one of the most accomplished and respected artists of his generation, asks his friend, the American writer James Lord, to sit for a portrait, assuring him that it will take no longer than two or three hours, an afternoon at the most.

Alberto Giacometti promises a quick sitting, yet his obsessive pursuit of the perfect likeness turns a simple afternoon into a grueling test of patience. This intimate portrait captures the friction between an artist's vision and the subject's dwindling resolve.

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